#peter vives

[docpiplup]

New upcoming period drama: Operación Barrio Inglés

Co-produced by RTVE with Onza (El Ministerio del Tiempo, Parot, Hernán) and the Andalusian production company Emociona Media, filming begins for Operación Barrio Inglés, a new intrigue drama for the TV channel La 1.

Spies, Nazis, British and a risky love story set in Huelva in 1940, a city where the conflicts of World War II are reproduced on a smaller scale.

Synopsis

World War II has just broken out.

Although Spain is "neutral" under Franco's dictatorship, Huelva is a strategic enclave to control the ships of both sides that cross the strait. In addition, it has an important British colony. For this reason, the Germans send members of the Secret Service to control what happens in the city, especially in the mines in the province of Huelva, owned by the English, and which provide Great Britain with ore for weapons and artillery.

In this way, Huelva becomes a veritable nest of spies from both sides, among whom the young Lucía is forced to move. She has just turned 25 and has been hired by an English mining company to work in their offices as a secretary.

There she meets the company's manager, Peter, an attractive Englishman with a dark past who drags Lucía into an adventure in which she will be forced to take sides. When you're in the middle of a war, being neutral is not an option.

Data Sheet

Executive Producer: Gonzalo Crespo Gil, José María Irisarri, Pilar Crespo, Gonzalo Sagardía, Clara Almagro, Santiago de la Rica

RTVE executive production: Borja Gálvez

Production Director: Onil Ganguly Directed by: Chiqui Carabante José Ramón Ayerra

Plot direction: Manuel Ríos San Martín Screenwriters: Manuel Ríos San Martín, Victoria Dal Vera, José Ortuño, Virginia Yagüe, Pablo Tobías and Tatiana Rodríguez

Photo Direction: Dani Salo (A.E.C.) and Alejandro Espadero (A.E.C.)

Art Direction: Hector Bertrand

Casting Direction: Juana Martínez

Music: Pablo Cervantes

Wardrobe: Matías Martini

Makeup and hairdressing: Anabel Beato

Cast

The series will star Aria Bedmar (Lucía), Peter Vives (Peter) and Rubén Cortada (Francisco).

The cast is completed by Paco Tous (José), Juan Gea (Enrique), Bea Arjona (Amparo), María Morales (Cinta), Chiqui Fernández (Rocío), Kimberley Tell (Agatha), Aida Ballmann (Miss Eva), Silvia Hanneman (Hanna), Yan Tual (Victor), Sue Flack (Miss Parker), Marco Cáceres (Juan), Almagro San Miguel (Toni), Carla Nieto (Sylvia), Ángela Chica (Belén), Clara Navarro (Rebeca), Fran Cantos (Oskar), Stefan Weinert (Schneider), Kevin Brand (Kurt), Frank Feys (Edward), Craig Stevenson (Goodwill), Edu Rejón (Gianni), Gregor Acuña (Dieter), José Luis Rasero (Civil Guard Captain), Gonzalo Trujillo (German Consul), Ken Appledorn (English ambassador) and Carlos Olalla (Father Damián), among others.

Filming

Operation Barrio Inglés will have as its settings the old dock of the English mining company and the area of ​​Tinto River and its open-pit mines, as well as the Bellavista neighborhood in the town of Minas de Riotinto, the port of Punta Umbría and the Mazagón beach in Huelva. In Sevilla, among other locations, it will be shot at the Monsalves Palace, and in other areas of the city and province, and also in different parts of Jerez de la Frontera.

About the mines and their location:

This is the Tinto river, its waters are red due to the high concentration of sulfur and iron oxides in the land (it happens the same with the red lagoon of Mazarrón's mines, Murcia), although it's duscussed if the mining activity has been increasing this characteristic, its water are very acid and are poluted with heavy metals.

The Tinto river (ancient name: Luxia) starts its flow in the Aracena Mountain Range and after 100 km joins the Odiel river (ancient name: Urium) at the height of the city of Huelva.

The mines have been exploited since pre-roman era, by Iberians and Tartessians, to obtein iron, copper, magnesium, silver and gold, which improved trading with the Phoenician, Carthaginian, and Greek colonies that were near to this site (in fact, the city of Huelva was founded by Phoenicians, and it was called Onuba), and eventually the Carthaginians took control of the mines after their expansion throughthe Iberian peninsula. Later, it became one of the most important mining areas of the Roman Empire.

By end of the 19th century, due to económico crisis the Spanish government sold several mines to English Companies, and one of them was the Riotinto mines, who were bought by the Rio Tinto Company Limited (RTC) in 1873, as they were looking for metals that were very demanded in the country due to its high industrialization (in contrast, in Spain the industrialization was scarce and the two main regions in which it was developed were Catalonia and Basque Country)

The RTC was the builder and owner of the railway line that connected the mines with the port of Huelva, where it built a mineral dock to facilitate the unloading and transport of the extracted material by sea to England.

In Riotinto, the luxurious and exclusive neighborhood of Bellavista was built for English personnel, it was a Victorian-style neighborhood that was endowed with tennis courts, golf courses, its own cemetery, a Social Club or even a Presbyterian church.

Huelva capital will also develop under the English influence. The numerous workshops and facilities built by the RTC that gave work to more than seven hundred workers, such as the railway station, changed the appearance of the city and contrasted with the rise of a new bourgeoisie of both Spaniards and foreigners who found themselves linked to the company. The power of the company became such in the city that civil buildings depended on the interests of the company.

Proof of this are the Reina Victoria neighborhood, as a garden city that welcomed part of its employees; the construction of Casa Colón, which ended up becoming the headquarters for the company's offices; the disappeared English Hospital; or the gigantic mineral pier located on the Odiel River. The English population introduced football, being the Huelva Football Club the first football team in Spain, founded in 1889.

In Punta Umbría, the British managers of the Rio Tinto Company Limited (RTC) erected rest areas for their employees. Since 1883 some constructions were carried out in the area, in wood and of the bungalow type, but it would not be until 1896 when the RTC was granted the possibility of establishing houses in this area, to which many RTC employees and their families went in summer to the beach through the Riotinto railway.

In 1943, the corpse of Glyndwr Michael, a Welsh homeless, disguised as a British Marine oficer called William Martin with information about a fake plan of the Allies to attack Greece was found drowned near the coast of Huelva, in Punta Umbría. This was part of the Operation Mincemeat to distract the Nazis and attack Sicily instead. Operation Mincemeat was a important plot in episode 3×02, Tiempo de Espías, from El Ministerio del tiempo. Well, although in the episode the original Operation is cancelled and a character named William Martin later takes the place of the original "William Martin", so the Operation success.

Years later, in 1954 the Riotinto mines returned to national property, under the CEMRT (Compañía Española de Minas de Río Tinto)

[espeliculando]

Puntuación: ⭐️⭐️ de 5

Operación Barrio Inglés

Operación: Tampoco es tan mala.

Por mgarsos

Mucho se ha hablado de Operación Barrio Inglés, casi nada bueno y es cierto que la serie tiene muchísimas carencias, pero he de decir, que en su conjunto y si lo que buscas es un simple pasatiempo, se deja ver. Pero tras ese maltrato en parrilla y ser denostada por la crítica desde sus inicios, ya presagiabamos un triste desenlace para esta ficción. Pese a ello logra concluir con cierto talante y dignidad.

Su historia es sencilla, genérica, quizás demasiado blanca y evidente, lo que le resta credibilidad. Debido a esto, el guión es demasiado plano y da lugar a situaciones absurdas.

Una maravillosa Aria Bedmar hace malabares con un texto que no da para más. Completan el triángulo Vives, con mejor acento pero menos creible y Cortada, más creible pero con peor acento. Desaprovecha grandes nombres como María Morales, Juan Gea, Paco Tous o Carlos Olalla, que podían haber marcado la diferencia. Destacamos especialmente entre el reparto a Sue Flack, Beatriz Arjona, Kimberley Tell y Marco Cáceres.

En el apartado visual cuenta con una fotografía en la que nada es excelente pero todo funciona medianamente bien. Su diseño de producción se percibe austero y muchas veces la utillería rezuma cartón piedra. Pero si realmente debemos destacar algo nefasto en este apartado, es sin duda el aspecto y la calidad de los efectos visuales, los cuales dejan mucho que desear.

La música por su parte no desentona, pero tampoco aporta demasiado.

Operación Barrio Inglés partía con demasiadas pretensiones que debido a su mala gestión de recursos, el maltrato en parrilla y sus múltiples errores, llegó simplemente a mero entretenimiento de fácil digestión. Si la ves teniendo esto en cuenta, incluso puede que llegues a disfrutar de ella.

Puedes verla gratis en Rtve Play.

GRACIAS POR LEERNOS Y RECUERDA: Espeliculando es un pequeño proyecto que puedes apoyar de forma gratuita compartiendo el contenido que generamos en tus redes sociales. También puedes apoyar el proyecto económicamente donando desde 1€ a través de Paypal .me

[hoodup]

[sasa-chan]

Day 05:

The Cheetah Girls (2003)

The Cheetah Girls 2 (2006)

The Cheetah Girls: One World (2008)

[dreamconsumer]

Louis XVIII, Roi de France. Par Peter Edward Stroehling.

[oknews]

Dos aficionados del Valencia CF, retenidos en Singapur por protestar ante la casa donde vive Peter Lim

Actualizado Martes, 8 octubre 2024 – 09:37 Una pareja de aficionados del Valencia CF se encuentran retenidos en Singapur por protestas ante la casa del máximo accionista del club, Peter Lim. Dani Cuesta y su mujer viajaron al país asiático de luna de miel y mostraron en sus redes sociales cómo exhibían la pancarta amarilla de ‘Lim go home’ ideada por el colectivo Libertad VCF. Uno de estos lugar…

[itblackggirl]

Dicas para ajudar você a criar um s/p ou s/o do zero! / Tips to help you create an s/p or s/o from scratch! ♡

pt-br - eng!

"Oh, i love this view! Which view? Your eyes!"

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Olá a todos!!

Vou dividir essa thread nas seguintes partes:

1‐ Físico.

2- Mental.

3- Relacionamento.

4– Hobbies.

5 - Dicas extras.

s/p: specific person ( "cr" )

s/o: significant other ( dr )

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1 - FÍSICO..

Eu acho que uma das partes mais "complicadas" de fazer um s/o / s/p do zero e pensar no seu físico! Isso inclui, aparência, porte físico, altura e etc. Minha dica para isso é: Use personagens de desenhos ou livros!!! Sério, isso ajuda tanto no físico quanto no mental e no relacionamento de vocês (próximo tópico).

Eu por exemplo, usei o Príncipe Naveen como base principal para criar meu s/p! Eu não tinha uma fc 100% igual a ele mas tem um ator que no momento que eu vi, já sabia que era o meu s/p e desde desse dia eu uso ele de fc única do meu s/p.

A parte de porte físico e altura vai de pessoa para pessoa! Meu sp é jogador de basquete profissional, por isso que eu coloquei que ele é alto e tem um porte atlético! Mas você pode mudar e pôr do jeito que quiser, não existem limitações para isso! 😉

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2 - MENTAL..

Chegamos no tópico que para mim, é muito importante!! A parte mental, é de grande importância que você pense bastante em como você quer seu parceiro, não adianta dizer "Ele/a/u é obcecado/a/e por mim e me ama muito!!" Você tem que especificar! Depois que aparece um doido stalker, vem dizer que a culpa é minha!!!

Agora é sério, criem pessoas saudáveis, compreensivas, calmas, pacientes, de preferência que tenham maturidade o suficiente para estar em relacionamento! Alguém mentalmente estável!! Dependência emocional não é bonito, viu? Nada de por que ele/a/u "não vive sem mim", tenham consciência!!

Eu, por exemplo, fiquei bastante tempo nessa parte porque coisas que eu achava "saudáveis" na verdade eram bem problemáticas, recomendo vocês fazerem uma profunda auto investigação antes de criarem seus amores!! Uma relação para funcionar, precisa de duas pessoas 100% mentalmente saudáveis! ☝🏻☝🏻

Outra coisa importante, idade!! Escolham uma idade de boa para vocês se conhecem, onde você já tenha mentalidade e maturidade para estar em um relacionamento, eu como exemplo, vou conhecer o meu sp quando eu tiver 19 e ele 21, porque eu sei que lá eu estarei 100% bem para estar em um relacionamento e ele também.

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3 - RELACIONAMENTO...

Agora vem a parte bonita, como vai ser o relacionamento de vocês??? Como é a dinâmica??? Quem é mais o que??? Tudo isso é importante na hora de produzir essa parte!! Dica: usem casais de desenhos, filmes, séries, livros ou até mesmo músicas (eu fiz e recomendo!!) Eles são os melhores modelos que vocês podem usar se não tiverem em mente como querem o relacionamento de vocês! (Usem casais e músicas com relações saudáveis, pelo amor!)

Minha dinâmica com meu sp é Tiana e Naveen, um pouco de Lara Jean e Peter Kavinsky, Love Maze do BTS, Serendipity do Jimin, Trivia: Love do Namjoon, BTBT do B.I e entre outras!! Nossa relação é algo leve e calmo, algumas vezes é agitada mas não é algo cansativo, eu sempre quis algo calmo então estou satisfeita com a nossa dinâmica!! :(

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4 - Hobbies...

Essa parte é tranquila, se tiver seguido minhas dicas, a personalidade dele já deixa claro os hobbies, você pode colocar que ele/a/u tem os mesmos hobbies que o seu ou diferentes! Vou deixar alguns exemplos aqui:

– Esporte (natação, futebol, tênis...)

– Leitura.

– Jogos digitais.

– Fazer algo artesanal.

– Karaoke (meu hobbie com meu sp ♡)

– Pintura e desenho.

– Culinária.

– Jardinagem.

E entre outros! Fica tudo a sua escolha!! 😉

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5 - Dicas Extras..

– Situação financeira e emprego são coisas para serem colocadas e pensadas!

– Relação entre a família de vocês, se aprovam o relacionamento ou se eles gostam de vocês!

– Relação entre os amigos é SUPER IMPORTANTE! Seus amigos gostam dele/a/u ??? Gostam em que nível?? Se ele curtir alguma foto de alguém do deu grupo, eles vão ficar tirando print e mandando no grupo de vocês para dizer que seu s/p ou s/o não presta?? 🤔 (específico, eu sei! Mas pense em tudo!) 

– Higiene pessoal é de EXTREMA IMPORTÂNCIA!! Você pode pensar que não é necessário, mas anjo kkk é sim. Você não quer ficar perto e nem se relacionar com alguém que não sabe ter higiene básica, não é?

– A fidelidade do seu s/p é importante sim!! Construa alguém com bom caráter e que nunca iria fazer coisas assim.

– Respeite as decisões de ambos quando o assunto for construir uma família!! Apenas mude se tiver certeza disso!

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English Version!

Tips to help you create an s/p or s/o from scratch! ♡

"Oh, I love this view! Which view? Your eyes!"

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Hello everyone!!

I'm going to divide this thread into the following parts:

1- Physical.

2- Mental.

3- Relationship.

4- Hobbies.

5 - Extra tips.

s/p: specific person ( "cr" )

s/o: significant other ( dr )

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1 - PHYSICAL..

I think one of the most "complicated" parts of making a s/o / s/p from scratch is thinking about their physical appearance! This includes appearance, physical build, height, etc. My tip for this is: Use characters from cartoons or books!!! Seriously, this helps both physically and mentally and in your relationship (next topic).

For example, I used Prince Naveen as the main basis to create my s/p! I didn't have a 100% identical FC to him, but there's an actor who, the moment I saw him, I knew he was my s/p and since that day I've used him as my s/p's only FC.

The physical build and height part varies from person to person! My sp is a professional basketball player, that's why I said he's tall and has an athletic build! But you can change it and put it however you want, there are no limits to that! 😉

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2 - MENTAL..

We have reached the topic that is very important to me!! The mental part is very important for you to think carefully about how you want your partner. There is no point in saying "He/she is obsessed with me and loves me very much!!" You have to be specific! After a crazy stalker appears, he/she comes to say that it is my fault!!!

Now seriously, raise healthy, understanding, calm, patient people, preferably those who are mature enough to be in a relationship! Someone who is mentally stable!! Emotional dependence is not nice, you know? There is no reason why he/she "can't live without me", be aware!!

I, for example, spent a lot of time on this part because things that I thought were "healthy" were actually quite problematic. I recommend that you do a deep self-investigation before creating your loves!! For a relationship to work, it needs two people who are 100% mentally healthy! ☝🏻☝🏻

Another important thing, age!! Choose a good age for you to meet each other, where you already have the mentality and maturity to be in a relationship. For example, I'm going to meet my partner when I'm 19 and he's 21, because I know that by then I'll be 100% ready to be in a relationship and so will he.

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3 - RELATIONSHIP…

Now comes the good part, what will your relationship be like??? What is the dynamic like??? Who is more what??? All of this is important when producing this part!! Tip: use couples from cartoons, movies, series, books or even songs (I did it and I recommend it!!). They are the best models you can use if you don't have in mind how you want your relationship to be! (Use couples and songs with healthy relationships, for the love of God!)

My dynamic with my partner is Tiana and Naveen, a bit of Lara Jean and Peter Kavinsky, BTS's Love Maze, Jimin's Serendipity, Namjoon's Trivia: Love, B.I's BTBT and many others!! Our relationship is something light and calm, sometimes it is hectic but it is not tiring, I always wanted something calm so I am satisfied with our dynamic!! :(

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4 - Hobbies…

This part is easy, if you followed my tips, his/her personality already makes his/her hobbies clear, you can say that he/she has the same hobbies as you or different ones! I'll give you some examples here:

– Sports (swimming, soccer, tennis…)

– Reading.

– Digital games.

– Doing something crafty.

– Karaoke (my hobby with my s/p ♡)

– Painting and drawing.

– Cooking.

– Gardening.

And so on! It's all up to you!! 😉

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5 - Extra Tips..

– Sexuality and gender of the person are parts to be thought about too, don't ignore who YOU ​​ARE for someone!

– Financial situation and employment are things to be considered and thought about!

– Relationship between your family, if they approve of the relationship or if they like you!

– Relationship between friends is SUPER IMPORTANT! Do your friends like him/her??? Do they like him/her to what extent?? If he likes a photo of someone in your group, will they take a screenshot and send it to your group to say that your s/o or s/o is no good?? 🤔 (specific, I know! But think about everything!)

– Personal hygiene is EXTREMELY IMPORTANT!! You may think it's not necessary, but angel, lol, it is. You don't want to be around or have a relationship with someone who doesn't know how to maintain basic hygiene, do you?

– Your s/o's loyalty is important!! Build someone with good character and who would never do things like that.

– Respect both of your decisions when it comes to building a family!! Only change if you're sure about it!

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We've reached the end of the thread! I hope you enjoyed it, if you have any questions or suggestions, please send them to me, sorry if there are any errors in the translation! Until next time, kisses!!

Chegamos ao fim da thread! Eu espero que tenham gostado, qualquer dúvida ou sugestão, podem me mandar, perdão se houver algum erro de tradução! Até a próxima, beijinhos!!

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[the-star-rigel]

Jason (from the Greek Iásōn, “healer”) Peter Todd (from the German Tod, “death”) - I hope you find your way out of that grave.

dc comics + The Oresteia, Aeschylus / Lady Windermere’s Fan, Oscar Wilde / Grief Lessons: Four Plays [tr. Anne Carson], Euripides + Batman v1 #385 / Batman: The Cult #3 / For Example, Mary Oliver / Batman: Legends of The Dark Knight #100 / Batman: Under the Red Hood / Eight, Sleeping at Last / Red Hood and the Outlaws: Rebirth / Batman: Urban Legends #10 + ? / On Earth We’re Briefly Gorgeous, Ocean Vuong / Red Hood and The Outlaws #25 / Slay the Princess / pinterest + Batman #422 / Batman #424 + Rilke's Book of Hours: Love Poems to God, Rainer Maria Rilke + Batman #428 | A Death in the Family / @/metamorphesque, tumblr / American Teenager, Ethel Cain / Anecdote of the Pig, Tory Adkisson / interpretations of A Death in the Family + The Oresteia, Aeschylus / Nightwing: Secret Files and Origins #1 + the Haunting of Bly Manor + Red Hood and the Outlaws #23 / @/petrichara, tumblr / I Didn't Apologize to the Well, Mahmoud Darwish / Infinite Crisis: Secret Files + pinterest / Ruin and Rising, Leigh Bardugo / Red Hood and the Outlaws #26 / The Cruel Prince, Holly Black / pinterest / Red Hood: The Lost Days / Sue Zhao / Red Hood: The Lost Days part II + Red Hood: The Lost Days #4 / I See Boats Moving, Fernando Pessoa / Oedipus the King, TV Tropes / @/devilsmoon, tumblr / Red Hood: The Lost Days + Speeches for Dr Frankenstein, Margaret Atwood / Saving June, Hannah Arrington + embroidered patch / Slay the Princess / unaligned, @/hamletmaschine + Batman: Under the Red Hood / Batman: Under the Red Hood + Batman and Robin #11 + South and West: From a Notebook, Joan Didion / The Good Fight, Ada Limón / Batman: Under the Red Hood / Grief Lessons: Four Plays, Euripides [tr. Anne Carson] / Batman: Under the Red Hood / Slay the Princess / Under the Red Hood / Slay the Princess / @/sainticide, twitter / The Truth About Grief, Fortesa Latifi + Batman: Under the Red Hood / Batman: Under the Red Hood / Ten Legs, Eight Broken, mandana on tiktok / War of the Foxes, Richard Siken + Under the Red Hood + Batman #428 | A Death in the Family / The Unabridged Journals Of Sylvia Plath, Sylvia Plath / Under the Red Hood + Batman #428 | A Death in the Family / @baitmeat, tumblr + Batman: Under the Red Hood (Deluxe Edition) / Origin Story, Desireé Dallagiacomo / Vive, Vive, Traci Brimhall / The Dogs I Have Kissed, Trista Mateer + Batman: Under the Red Hood + Three Jokers / Red Hood and the Outlaws Rebirth #9 / @/sainticide, twitter + Red Hood and the Outlaws #10 / Would’ve, Could’ve, Should’ve, Taylor Swift / ? + Robin 80th Anniversary 100 Page Super Spectacular / Ep. 4: Joseph Campbell and the Power of Myth -- 'Sacrifice and Bliss', Joseph Campbell / White Knight #7 + Heaven, Mieko Kawakami / Forest Fire, Mitski / Red Hood and the Outlaws Vol. 2 #9 + Batman Annual #25 + Free Will Astrology, Rob Brezsny / Letter XV, @/lucidloving / Red Hood and the Outlaws Vol 1: REDemption / briscoepark + The Civil War, Anne Sexton [compiled by @/lovejoyparadox here] / @/soapstore, tumblr + I Await the Devil’s Coming, Mary MacLane + Claire C. Holland / @/havingrevelations, tumblr / Meditations in an Emergency, Cameron Awkward-Rich + Deathstroke #34 / Grief Lessons: Four Plays by Euripides [tr. Anne Carson] + Red Hood and the Outlaws

[schismusic]

Joy Division, or: how I learned to stop worrying and love New Order, too

Spring is weird as hell because one time you have this glaring sun that powers you up like being plugged into a wall outlet, then not five minutes later clouds begin to gather and you feel like you're going to die if anything goes south. So the most obvious combination to represent two sides of this same coin, emotional and meteorological, is Joy Division and New Order.

Sometimes you need Transmission or Shadowplay for the sunny days — impassioned jolts, sparks flying everywhere. Sometimes The Perfect Kiss hits harder on a cloudy afternoon, coming back home and in need of that extra push to not fall asleep in the train. It's surprising to realize the versatility displayed by both bands, or the same band in two different iterations according to whomever you ask. Peter Hook says, as late as 1993, that the laziest member of New Order is Ian Curtis. Or again this other person, in the comments under the Atmosphere official video on YouTube, who went to see New Order (Hooky-less New Order, which might be a relevant distinction) at the O2 Arena a couple of years ago and they gave an encore, says "Those of us who stayed got the privilege of watching Joy Division perform three of their songs". Interesting outlook on the matter. I personally saw Peter Hook and the Light play both Joy Division records and, I'm pretty sure, an encore comprised of just Love Will Tear Us Apart at the Arti Vive Festival in Soliera, back when it was still free to attend some of the events. I remember being pretty mad that Hooky had stopped to take pics with basically everyone and then left exactly as I was approaching. In retrospect I don't exactly blame the man, it was like midnight anyway. I remember nothing of the back trip home.

My first contact with Joy Division happened when I was thirteen and very much in my prog era. I was in Rome staying at an aunt of mine's place for my fourteenth birthday and she told me I could get a CD, since I had gotten some money saved up over time. Some Facebook page dedicated to Pink Floyd I'd liked (yeah, Facebook at age thirteen — I literally just wanted to play a fucking Flash game, back when Facebook allowed them, and I ended up getting to be terminally online. Crazy how things turn out) used to share a lot of memes and fanart relating to the Unknown Pleasures album cover, and me being a massive Pink Floyd head at the time I thought "I mean, if these guys are pushing this band so hard, that's gotta mean something". The album cover was pretty striking, admittedly: a far cry from the paisley ass paintings that I had grown to accept as the gold standard for the music I liked, but its simplicity struck a chord closer to The Dark Side of the Moon, or perhaps The Wall. Those were records I liked a lot, probably called them "the best records ever made" to more than one person, not like they aren't but that's a very bold statement to make when your listening experience consists exactly of

Madonna's Confessions on a Dance Floor when I was six;

Daft Punk's complete discography (minus Random Access Memories, which wasn't out yet) when I was twelve;

Pink Floyd's complete discography, courtesy of a CD collection coming out with some Italian newspaper, that same year;

a couple random classic rock records recommended to me by older friends and relatives usually well into their fifties or sixties at the time, random people on Internet forums — which, for clarification, I did not actively attend, preferring to just lurk from time to time — and the OndaRock "milestones" page.

So browsing through the surprisingly expansive CDs section of this electronics shop in Rome, and being mesmerized by a vinyl rack in the days when Music on Vinyl was the final frontier of pretending you could re-analogue the digital ("you mean to tell me these are like CDs, but bigger? Whoever designed these truly lived in the future"), I came across that very same album art that had stricken me so hard. I had listened to the first seconds of the album on YouTube, but that weird drum sound — so echoey, so distant, ultimately not particularly powerful, meaning it didn't really sound like Bonzo: it sounded more like my own band, which at the time didn't even exist yet — I didn't really know what to make of. This store I was in had one of those preview listening machines that would scan the barcode on the CDs and give you a small snippet of the song. I pull the CD up to the scanner, the scanner lights up green, I put on the headphones and the solo from this comes up:

Clearly they had to be kidding me. I had come to know, sneaking into infinitely many rehearsals with the band from my mother's town, what it sounded like when someone tried to play lead without something else filling up the arrangement (even though I didn't really know all that, or at least lacked the vocabulary to properly express it) and, for Christ's sake, didn't these guys notice rehearsing? It sounded empty, weirdly so, and it wasn't my thing, I thought. I put that CD away and picked up a band I knew I'd like — Genesis, specifically. So Nursery Cryme became the first CD I've ever paid with my own money, the very day I turned fourteen. Not a bad pickup. I remember being very impressed with the fast blurring lead guitar on The Musical Box and digging the sweet pastoral atmospheres of For Absent Friends and Harlequin. I still think of that record more often than one would probably assume looking at this blog, or my most played on Spotify. At the time, that was the best move I could take, really: why beat my head against a record that, as your average prog nerd ballbreaker, simply wasn't speaking to me?

Then all of a sudden in August of the same year my friend's dad hands me a 16 gigabyte USB drive, full of random music from all eras of rock. A lot of it remains inscrutable to me for a really long time, most notably Tom Waits (see related post), but I spent the whole month reading random folder names, seeing if something catches my eyes, and at one point I come across the Mars Volta. Open the folder up, read the names of their first three records, and my first thought is "Christ, these guys look incomprehensible. I'm about to have some fun". Long story short: I end up having a lot of fun, the Mars Volta turns into my favourite band at the time and finding out that they had previously been called At the Drive-In makes me gain some measure of respect for punk rockers: if they tried hard enough, I must've thought, they could prog as hard as anyone. In the meantime the ghost of Joy Division remains at the back of my head. I feel like I'm missing something, for the first time in my life: it's not them, it's me. Too bad that same realization didn't occur to me when it came to the people in my life until much, much later, but that's being fourteen for you I suppose. Early King Crimson and the Mars Volta were the pinnacle of violence to me, and not even the very few Metallica songs I'd downloaded just to see what would happen scratched that itch. It felt a bit too cauterized for some reason (I would later find out I had been looking in the wrong direction the whole time: the Black Album "sucked", according to my favourite metalhead of the time, who somehow catalyzed my interest from the very second I saw him in the school's courtyard. Hard to imagine why I would imprint on people like puppies do, but what the fuck, not like I've ever outgrown that anyway, I've just gotten better at managing it). But I felt there was more than violence to this, or different forms of violence. When Christmas came around and my relatives tried to get me presents, my mother asked if there was anything specific I was interested in, and I basically told her "look, if they can get me some CDs off of this list, I'm golden". It had some bangers on it, namely Noctourniquet by the Mars Volta — it's one of their best and I will die on this hill, be warned — and The Downward Spiral, which might as well warrant its own post in an ideal world. But the best of them all I think came from a random purchase, once again with the little money I had lying around at the time.

Closer appears to be, right away, a bit more concrete, and if there's something inexperienced music fans like is a pretty packaging that conjures a strong emotional response before they've even played the record. Compare a color-inverted graph of pulsar emissions to a literal funerary monument. Opening up the booklet I was shocked to see that Genesis was used as a negative point of comparison (bad omen, I thought) by people close to the band, and I came across much more detailed information about Ian Curtis's untimely demise — at that time, something far too removed from my experience to be faced with the delicacy and attention it deserves. Atrocity Exhibition hits like a ten-ton truck, a reference which at the time I wouldn't have been able to make for obvious reasons, and Isolation exposes all the nerve tissue under the skin. Passover comes in and strips everything even barer, and then A Means to an End turns… danceable, for some reason? Big emotional moment with The Eternal and Decades, which I thought actually took them closer to my usual tastes. And yet at the same time I kept looking at Colony, Heart and Soul and Twenty Four Hours as the most compelling cuts. Geometric assault sounding like sheet metal if it were music; rhythmically driven emptiness that serves as a minimal backdrop for depressed poetry, and finally a rocking ebb-and-flow that would probably inform a lot of my interest in GY!BE-like post-rock in the coming years. Very interesting to think that the same guys who'd done Unknown Pleasures could think of this. To this day, when asked, I still do think that Closer is the best Joy Division record, but what does it even mean when the records are exactly two, compilations notwithstanding?

It was around this time that it came to my attention that both Joy Division and another band called New Order had a record called Substance out, both published by the same recording company, both coming out within a year of each other. Looking it up, it turns out it's fully intentional, because New Order is simply Joy Division minus Ian Curtis. It would turn out to be a tad bit more complex than that. Anyway, I look New Order up and kind of have to do a double-take. Synthpop? In my Joy Division? More likely than you'd think, considering Isolation exists. But yeah, that sort of seals it — I wouldn't care about this New Order for a million years. Until all of a sudden a couple of years later David Sylvian bursts like a comet in my face, which of course leads me straight to Japan, the same year as I'd come across Berlin-era Bowie, and you can probably guess where this is going, right?

Well, you'd be wrong. I still don't check out New Order. There's a whole new world open to me — vaporwave and therefore R Plus Seven come to my attention, which leads me to dissect that record like an alien tool of unclear purposes. This of course leads me onto an ambient tangent, taking me back to my Tim Hecker listens of that same year, which has the effect of renewing my interest in "pure" electronic music and the then-rising post-dubstep movement. The sheer experience of sound, the dazzling modernity and innovation, is what's in at the time. I have no time for nostalgia-pandering dimwits: the future awaits. Then all that jazz from the first Godflesh post hits, then God pulls the funniest gag in the history of viral infections to my memory, and I have some time to actually look back, a bit less prejudiced. As it turns out, synthpop is not the devil, as some of you might have surmised by now, and as I relisten to Blue Monday I realized I have never listened to either of the Substance record. I do know some, most perhaps?, of the tracks on the Joy Division one, and I do think the New Order one has the more striking cover art — not to mention I knew, by this time, that this was the one to give Metal Gear Solid 2: Substance its name, and that Your Silent Face soundtracked one of the most memorable moments in Nicolas Winding Refn's Bronson. As the ultimate Hideo Kojima stan, I couldn't let this slide, so I pop the record on and get hit with this:

Way to go, guys. Holy shit. I knew that Ceremony was a Joy Division cut before they could record it, but what the hell — Bernard got it, too. It wasn't a matter of singing ability with songs like these, it's just getting it, finding the right energy. They had that right energy. And then it hit me just as many times these dudes have made Blue Monday over and over again before actually getting it right, and everytime I look into it it's funnier and funnier to realize just how many different attempts it took them to finally be Kraftwerk, but augmented — with the stellar results we all know. Everything's Gone Green, 5 8 6, Temptation potentially, all lead up to this one moment in the history of dance music where somehow three dudes and a girl hailing from Manchester managed to out-gay the Pet Shop Boys (by their own admission, apparently), to shake the whole world's collective booty, to do whatever it is they were supposed to do in this last comparison that would ideally make the previous one a bit less obnoxious but whatever, it's 3am as usual, you know how it goes by now don't you? But then after Blue Monday the record keeps going, and thank god it does, because it's banger after banger. How do these guys keep doing it?

So I spend some time with that record, then it fades down, then it comes back up last month, when the weather calls for it and its parent company. Which is when I find myself watching the Control movie for the first time, surprisingly enough seeing as I already enjoyed the work of Anton Corbijn as a photographer. Looking at all that, it is revealed to me that Joy Division never really having died is not a bug, it's a feature. Everyone is gasping, I get it, but please pick your jaws up and check this out: the band has never learned how to play their respective instruments. One might go so far as to argue they play their own stuff their own way, and that's basically it. Nothing could be further from the truth. These guys jammed, a lot; that's how Joy Division wrote songs, that's how New Order wrote songs, even going as far as having Bernard Sumner fucked up on acid so he could find the chorus to Temptation or the whole band bombed out of their minds on X in Ibiza clubs to write, basically, the entirety of Technique — and even then, not really, there's a couple jangly tracks that the X would most likely render unlistenable but what do I really know? Point being: it might now have been sparked by a music teacher or instructor, it might not have been the product of a process comparable to that within Television, which led them to organically seek out better, more "by the book" musicianship, but New Order were incredibly familiar with their instruments, had formed an element of comfort and understanding that counterbalanced the alien-ness to music terminology.

Peter Hook recently uploaded a Yamaha-sponsored video to his Instagram, which I am pretty sure has a say in running, where he jams on a Yamaha bass and, you know, it sounds like Hooky alright, but it's never a discernible bassline until he kicks into the A major strumming that opens Love Will Tear Us Apart. Before that, he just strolls around the neck, leisurely strumming away at power chords imbued with that thick chorus and reverb combo he became renowned for. I would never, in my wildest dreams, have imagined I'd find myself thinking "okay, awesome, stop talking — I want to hear you jam a bit more" referring to one of the musicians who were part of possibly two of the craziest storiest in the history of contemporary rock'n'roll, also notorious for playing the rockstar whilst carrying the minimum possible baggage of technical knowledge he could. Once again, this is nowhere near a knock to the man — quite the opposite. Ian Curtis asked "persistence, well, what does it matter?", and Hooky (and, of course, the other members of New Order) found a way to constructively answer that question. Moments before Coil, but a bit later than Israel Regardie, they said "persistence is all" and built a brand on finding a way to consistently sound like splendid, eternal, golden children: "like crystal", impassionate, tightly-knit performers with the purity of a child's heart. Ian Curtis had, in certain ways (at least artistically), the purity of a child in his heart, which some might even argue was a distinguishing feature of most of his literary idols — if you think about it, William Burroughs could be your dirty-minded classmate who walked in on his parents sharing an intimate moment in the bedroom (had his parents been gay men, the metaphor would probably fly better, but that most definitely wasn't the case). So the heart of Joy Division remains untouched, if a bit more naked. Heroes of post-punk, sons of the silent age, you can sleep soundly tonight.

[andreabaideas]

about me

Hi, everyone/ Hola a todos / Salut!

i like many things, that i usually like to discuss with other people.

90's bitch (born in 1995).

• Nothing is sacred (except my family) that means that i can laugh at, criticize and enjoy things all at the same time.

• Many fandoms : The Hunger Games, Twilight (renaissance), True Blood, Daisy Jones and the Six,Poldark, Rivals (Disney+), House M.D, Drácula (book) , Vampire Chronicles (Anne Rice), Darren Shan saga, Hannibal (Bryan Fuller), The Walking Dead, Agatha Christie. Edgar Allan Poe. Guy de Maupassant. Stephen King. Lost Girl, Les revenants, Vampire Mascarade, Vampire Diaries universe, Guillermo del Toro's universe. Buffy the Vampire Slayer (TV). American Horror Story . Old french movies (Nouvelle Vague). Animated movies too.

There are plenty more, but those are the main ones.

• "Bonjour Tristesse", "Les enfants de la pluie" and "Portrait de la jeune fille en feu" own my heart.

• Anything with witchy vives ❤️.

• Feminist ♀️(everyone should be TBH).

• I love art and photography.

• I LOVE indie, folk, rock, pop and classic music.

• I love horror movies, mainly gothic tales, but i've watched a lot of different things really, many old and weird ones too. One of my faves its Carnival of souls (1962), that no one i know has watched (besides me).

• Indie movies ❤️ too

• Vampire obsessed. If It has vampires i've probably watched It TBH.

• I speak three languages fluently , though English isn't my first language. Je parle français très bien. My native language IS spanish (i'm from Madrid, Spain). ¡Hola gente!

• I like many actors and actresses.

My faves are :

Men : Sam Claflin (my fave ❤️❤️❤️) Aidan Turner, Richard Armitage, Robert Pattinson (❤️), Josh Whitehouse, Blake Ritson, Joseph Morgan, Sam Reid, Sam Heughan, Kiowa Gordon, Peter Facinelli, Lee Pace, Joe Anderson, Rami Malek, Alexander Skarsgård, Stephen Moyer, Michael Fassbender, Ben Barnes, Paul Amos, Gregg Sulkin (❤️).

Women : Kristen Stewart (❤️❤️❤️), Riley Keough (❤️❤️❤️), Noémie Merlant/Adele Haenel/Jean Seberg (those three❤️❤️❤️❤️❤️❤️...Too many hearts to fit here), Sarah Michelle Gellar, Eva Green, Jena Malone, Jennifer Lawrence, Lorenza Izzo, Suki Waterhouse (❤️❤️), Camila Morrone (❤️❤️), Gemma Arterton (❤️) Vanessa Kirby, Katherine Waterstone, Amanda Seyfried, Zoe Kravitz, Jessica Parker Kennedy, Phoebe Tonkin, Lupita Nyong'o, Krysta Rodríguez, Lily Donoghue.

Also American Horror Story cast. Rivals Cast, et Les revenants cast aussi...and most of the french and francophone actors and actresses too.

And theres much more, but i think this is enough.

Welcome to my blog! Bienvenus! ¡Bienvenidos!

Feel free to ask me things, i like to make theories and metas too.

Also feel free to ask in spanish and french!!! (trolling and hate wont be answered, obviously)

Ciao!

[booklovershouse]

Oi oi oi, booklovers!

Mesmo que ame séries, às vezes demoro meio século para terminar de assistir, ent (me desculpa, Priscila) prefiro filmes.

Como já repeti várias vezes, "nem só de livros vive a leitora" e, apesar de não ser uma Fani da vida, minha lista de filmes favoritos tem 60 títulos.

E é bom avisar logo que a grande maioria dos filmes está ordenada por ano de lançamento e os mais novos estão na ordem q assisti.

1 - Titanic (1997)

Vc pode até não ter assistido Titanic, mas é praticamente impossível nunca ter ouvido falar nesse filme durante toda a sua vida. Certeza que vc já ouviu My Heart Will Go On ou usou um "já faz 84 anos" sem saber.

No filme, temos nosso jovem Leo DiCaprio interpretando Jack Dawson, um artista pobre que conseguiu bilhetes para embarcar no Titanic jogando poker. No navio, ele salva uma jovem rica de sua tentativa de suicídio e logo os dois estão perdidamente apaixonados. Entretanto, Rose está noiva e sua família nunca aprovaria Jack.

Sempre choro no final, mas toda vez que passa na TV, eu estou lá assistindo de novo 🥹

2 - De Volta para o Futuro (1985)

Toda criança normal da minha época com um crush sla, no Peter Pan e eu com o Marty McFly (sempre tive bom gosto 😌). É uma trilogia, mas meu favorito msm é o primeiro - não gosto do segundo e lembro bem vagamente do terceiro.

De Volta para o Futuro é outro ícone do cinema, porém sinto que ele é meio esquecido, pq mal vejo gnt falando - e gnt da minha idade menos ainda.

Aqui temos o Marty McFly, do querido Michael J. Fox, que é um adolescente meio "vida louca" e ajuda o Dr. Brown com suas experiências malucas. Mas, durante o teste da máquina do tempo, alguns criminosos aparecem e Marty acaba fugindo no DeLorean, voltando no tempo sem querer. Agora, ele precisa dar um jeito para não deixar de existir, já que arruinou o momento em que seus pais se conheceram.

Pra mim, o fato de alguém ter pensado em fazer uma máquina do tempo num DeLorean é simplesmente genial. E o Einstein? Kkkkkkk um fofo

3 - O Pai da Noiva (1991)

Confesso que não lembro muito desse daqui - acho que só assisti uma vez. Mas enfim, basicamente a filha dele vai casar e "daí pra frente é só pra trás". É bem engraçado 🙂

4 - Emma (1996)

Tem uma versão mais nova? Sim. Eu ligo? Não.

Na minha humilde opinião, a Emma de 1996 é carismática, rica e inteligente sem o ar de "metida" do filme de 2020. Nada contra a atriz, mas acho que ela não combinou com o papel.

Emma Woodhouse, bonita, inteligente e rica. Casamenteira nas horas vagas, Emma tenta arrumar um casamento para sua nova amiga, Harriet, porém ela acaba colocando sua própria felicidade em risco ao fazê-lo.

99,9% das adaptações de qualquer coisa da Jane Austen são perfeitas, não dava pra esperar menos dessa daqui.

5 - Olha quem Está Falando (1989)

O primeiro filme com o John Travolta a gnt nunca esquece.

Mollie entra em trabalho de parto e é ajudada pelo taxista James (o caro e amado John Travolta com seus embalos de sábado à noite - não é do meu tempo, mas pelo amor de Deus, é o ✨John Travolta✨ não dá pra não lembrar disso e de Grease). Mas enfim, o James se apaixona pela Mollie (e pelo bebê) e além do romance dos dois, temos os comentários do bebê - q só a gnt ouve, afinal, ele é um bebê - pra animar o filme.

6 - Esqueceram de Mim (1990)

E por falar em "esquecer" kkkkkk

No Natal e fora do Natal, Esqueceram de Mim é um clássico da infância de todo mundo.

Além de ter sido esquecido em casa pela família que saiu numa viagem natalina, o pequeno Kevin precisa inovar para salvar sua casa de dois ladrões atrapalhados.

7 - O Diário da Princesa (2001/2004)

Sendo bem, bem sincera, eu não lembro muito do primeiro filme, me perdoem kkkkkkk - lembro de uns pedaços cortados e da história -, mas o segundo é uma beleza ksksks

O Diário da Princesa 2 segue com a história da Mia, que descobriu que era princesa de Genóvia lá no primeiro filme. Agora, ela está se acostumando com a vida na realeza, porém, se quiser assumir o trono, terá que arrumar um marido dentro de um mês.

Esse filme tem tudo de bom: enemies to lovers, Mia sendo Mia e aquela comédia romântica estilo anos 2000 - pq as de hj não têm a mesma magia - que nós amamos.

8 - Pearl Harbor (2001)

Esse aqui só assisti uma vez mas ainda lembro.

Dois pilotos amigos de infância se apaixonam pela mesma mulher. Entretanto, tudo muda para eles com o ataque japonês à base naval americana de Pearl Harbor em dezembro de 1941.

Enfim, é depressão pura.

9 - Pequenos Espiões (2001)

Outro clássico da infância! Tentaram fazer reboot e tals, mas na minha opinião, ngm supera os dois primeiros (o terceiro foi meio "meh", apesar de não ser 100% ruim).

E quem nunca sonhou em ter alguma das invenções (tipo essa aí do gif, sonho de consumo 🥹) ou teve um crush no Sr. Cortez? KKKKKKK mds, parece até q eu só gostava de gnt "velha", mas juro que não 🤡

Quando o melhor casal de espiões é capturado, seus filhos igualmente talentosos assumem a missão de resgatá-los.

Sério gente, não se faz mais filmes como antigamente.

10 - Um Amor para Recordar (2002)

Baseado no livro homônimo do Nicholas Sparks (ou seja, vc vai chorar igual um condenado depois de assistir 😊🫶🏻), Um Amor para Recordar é uma obra de arte conhecida por poucos.

É aquele "clichê" de nerd e popular, mas de alguma forma me parece algo totalmente novo e incrível. Talvez porque eles aparentam ter uma personalidade além do esteriótipo, o que não acontece na maioria dos filmes/livros - aquela coisa da nerd certinha, sempre cercada por livros, que usa óculos e aparelho com o garoto popular atlético que já namorou todas as meninas da escola. E claro, claro, ela não está interessada nele. Ok, vou fingir que acredito.

No geral, é um filme muito bom e ainda temos a Mandy Moore cantando de brinde (pra qm não sabe, ela dubla a Rapunzel em Enrolados e canta as músicas) eeeeee, ela tava no primeiro filme de O Diário da Princesa tbm 😎

Enfim gnt, é isso, o post já tá enorme kkkkkk

Bjs e boas leituras (filmes tbm) <333

[gavroche-le-moineau]

Weeping over the spot-on depiction of Gavroche's childish nature in such stark contrast with the gravity and fear of the situation.

The way he's still singing lighthearted songs to silly lyrics (does the crowing at the end remind anyone else of Peter Pan?), and when he says "I want a big gun," it's all so correct for a child of his age.

Also, in the Original French Concept Album, the exchange where the guards ask "Who lives?" and Enjolras responds "The French Revolution" is given to Gavroche instead.

I don't like Hapgood's translation of the guards' question "Qui vive?" as "Who goes there?" because it strips a bit of the cleverness of the response away. In French the actual wording of the question is, "Who lives?" and the response is "The French Revolution," just as one would say "Vive la Révolution Française" / "[Long] live the French Revolution"

[sonhodepadeiro]

˛ * ⠀🍞 (Josh Hutcherson, 27, ele/dele) Atenção, atenção, quem vem lá? Ah, é PETER DURAND, da história CINDERELA! Todo mundo te conhece… Como não conhecer?! Se gostam, aí é outra coisa! Vamos meter um papo reto aqui: as coisas ficaram complicadas para você, né? Você estava vivendo tranquilamente (eu acho…) depois do seu felizes para sempre, você tinha até começado a GERENCIAR A PADARIA DA FAMÍLIA… E aí, do nada, um monte de gente estranha caiu do céu para atrapalhar a sua vida! Olha, eu espero que nada de ruim aconteça, porque por mais que você seja TRABALHADOR, você é TEIMOSO, e é o que Merlin diz por aí: precisamos manter a integridade da SUA história! Pelo menos, você pode aproveitar a sua estadia no Reino dos Perdidos fazendo o que você gosta: TESTAR RECEITAS NOVAS NA SONHO DE MEL.

HEADCANNONS

Aprendeu a fazer pães com seu pai — que ainda é o proprietário da Padaria Sonho de Mel, apesar de passar quase o dia todo passeando de mesa em mesa, papeando com a clientela. Não fora surpresa para ninguém que Peter herdaria o negócio. Afinal, nenhum dos seus irmãos tinha o menor interesse em assar pães. 

Peter é mais padeiro do que gerente, ele gosta mesmo é de colocar a mão na massa. Acaba fazendo muitos descontos e anota tudo meio rasurado em um livro de ata. Igualzinho ao seu pai. Embora não admita, precisa aprender a não se sobrecarregar ao tentar cuidar de todos os processos. Necessita urgentemente de uma consultoria administrativa para lidar melhor com a padaria.

É muito cuidadoso com suas receitas e pode ser exigente demais com a sua equipe. Está tentando ser um líder melhor e desapegar da mentalidade “só eu sei fazer isso direito". (Embora seja verdade que ninguém saiba fazer uma baguete como ele.)

Sonha em tornar-se uma grande referência na panificação, não somente em Castle of Dreams, mas por diversos reinos. Possui um livro de receitas próprias que deseja passar ao seus futuros filhos. O problema é que ele continua encalhado e se acomoda muito rápido nos relacionamentos. 

Peter está muito curioso em relação aos perdidos, ele finge várias vezes que está arrumando a prateleira de produtos só para escutar as histórias de alguns deles. Apesar da curiosidade, não gostou muito da agitação e nem de como a chegada deles acabou prejudicando a história de seus amigos. Até porque a dele não tinha tanta relevância assim para ser afetada, mas ele só quer que tudo volte ao normal e todo mundo possa tomar conta da sua própria vida em paz.

CONEXÕES

Um líder (canon) que ele admire, embora não conscientemente, gosta muito de muse por ser a sua visão de sucesso: referência em sua área de atuação e um bom provedor para a família.

Ex-namorada da juventude, o relacionamento pode ter terminado por Peter se acomodar rápido demais. Embora seja super romântico no início, ele acaba não planejando mais tantos encontros ou comprando guirlanda de flores.

Cliente favorito de Peter, ele sempre coloca um bolinho extra na sacola de muse.

Peter até gosta de conversar, mas muse perdido fala pelos cotovelos e quer alugar o ouvido do padeiro justamente nos dias em que o movimento está mais tranquilo e ele pode testar suas receitas.

Peter tem uma implicância com Andrew e ninguém entende muito bem o motivo. (Imagino alguém que seja muito gentil com Anastasia e ele tenha ciúmes. E ainda reclamou que o pão dele estava muito massudo!)

Muse perdido deixa Peter mais curioso do que ele já é. Ele sempre tem histórias interessantes e consegue deixar Peter cativado com suas narrativas.

Peter e Vidia acabaram virando grandes amigos. Vidia já ajudou tanto o rapaz a resolver problemas na padaria com suas habilidades mágicas. É sempre a primeira quem ele convida quando quer compartilhar uma receita nova.

Muse é fornecedor de ingredientes para a padaria. Quase sempre se estressam um com outro pois Peter vive atrasando os pagamentos.

PADARIA SONHO DE MEL

Faça sua encomenda aqui.

OOC

meng, +20, ela/dela. tenham paciência comigo, por favor, sou uma jovem senhora voltando à tag depois de alguns anos afastada. caso tenham ideias de conexões ou queiram assumir algo nas interações com o peter, fiquem à vontade! meu chat está aberto para qualquer coisa 🌺

[chicinsilk]

US Vogue February 15, 1970

Tall T boots in oatmeal canvas with tweed spots, fitted close to the leg and zipped over the entire length. Heel: high, brown, stacked. Continuing on, here, fun opaque beige tights with dotted with little brightly colored mushrooms printed around an area just between the boots and the skirt. The mile-wide belt and buckle added to a t-shirt dress. Boots: David Evins. Tights: Peter Max for Burlington-Cameo. Dress: Kloss-Pruzan: in Jasco rayon and silk.

Bottes hautes T en toile avoine avec des taches de tweed, ajustée près de la jambe et zippée sur toute la longueur. Talon : haut, marron, empilé. Dans la continuité, ici, d'amusants collants beige opaque avec des parsemées de petits champignons de couleurs vives imprimés autour d'une zone juste entre les bottes et la jupe. La ceinture et la boucle de plusieurs kilomètres de large, ajoutées à une robe t-shirt. Bottes : David Evins. Collants : Peter Max pour Burlington-Cameo. Robe : Kloss-Pruzan : en rayonne Jasco et soie.

Model/Modèle : Lynn Sutherland Photo Irving Penn vogue archive

[chez-mimich]

LINA ALLEMANO: FLIP SIDE

È uscito lo scorso 4 ottobre il nuovo disco di Lina Allemano, trombettista, compositrice, improvvisatrice canadese-berlinese che vede nel CD, oltre che la sua adamantina tromba, Dan Peter Sundland al basso elettrico, Michael Griener, alla batteria e, talvolta ospite in alcuni brani, Andrea Parkins alla fisarmonica, oggetti ed elettronica. Lina e la sua tromba, pur avendo salde basi nel jazz, spaziano in territori liminari alla musica colta o cosiddetta tale. Ad aprire il magnifico lavoro del trio-quartetto “Lina Allemano’s Ohrenschmaus” (che significa smorfia), è il brano dal titolo “Sidetrack” che, in riferimento all’originalissimo nome della formazione, la prima smorfia la offre in apertura con una accattivante “intro” tutta rumorista, con qualche insufflazione di tromba, quasi a voler ingolosire l’ascoltatore su quanto successivamente lo aspetta. E in effetti il brano prosegue, dopo le fascinose titubanze iniziali, con la tromba della Allemano sempre più presente, anche se mai dominante, mentre le atmosfere restano inquiete; anche “Signal” si apre con rumori e percussioni, ma più decisi, come appare più certo e definito il ruolo della tromba. I toni sono rilassati e le parti sembrano più dialogiche, così come il “clima sonoro” in “Heartstrings” è pieno e ben definito, con la tromba che sembra aver preso decisamente il sopravvento o quantomeno, sembra tenere decisamente in pugno la situazione con un rumorismo delizioso, sia all’inizio che al termine del brano. Con “Sideswipe” (primo brano con l’intervento dell’elettronica di Andrea Parkins), il dialogo con la tromba diventa quasi un’invettiva dissacrante per un formidabile calando nelle parte finale dove spatole, carillon e ticchettii introducono l’ultimo lamento della tromba di Lina. Malinconico e lunare “Stricken” serba nel suo ventre un magnifico assolo al basso di Dan Peter Sundland che rende il brano quasi espressionista. “Flip Side”, che dà il titolo all’intero lavoro, è un pezzo sublime, di grandissimo spessore, notturno e solenne, dove le percussioni gravi e profonde sembrano dettare il tempo, un tempo di cupa sontuosità, con l’archetto del contrabbasso che diffonde rasoiate di vibrazioni rendendo ancora più drammatica l’atmosfera, ma sulla quale la tromba di Lina Allemano, ricama un disegno sonoro fatto di pacata leggerezza. È proprio in questo contrasto che vive “Flip Side”, ultimo brano dell’album edito dalla LUMO Records, etichetta della stessa compositrice, registrato dal vivo sul pavimento di una vecchia aula scolastica nel quartiere Schöneweide di Berlino, e non poteva essere altrimenti, poiché oltre ad essersi parzialmente stabilita a Berlino, Lina Allemano, pregna della cultura musicale della vecchia Europa, ha certamente assimilato la lezione della musica colta contemporanea della capitale tedesca, facendola rinascere a nuova vita, grazie allo straordinario sound della sua tromba, le cui radici sono saldamente piantate nella improvvisazione, nella ricerca e anche nel free jazz. Dopo una produzione discografica qualitativamente e quantitativamente notevolissima alla quale si aggiunge questa preziosa perla.

[dreamconsumer]

Louis-Charles de France (1785-1795) par Peter-Edward Stroehling.